Music has been a constant presence throughout my life for as long as I can remember. My journey began in 1993, when I first sat down at a piano. What started as a childhood curiosity soon became the foundation of how I experience the world — through tone, rhythm, resonance, and the emotional architecture of sound. Over the years, music grew from a skill into a language, a way of observing inner and outer worlds, and a bridge between spiritual and physical.

In the early 2000s, I discovered electronic music. The limitless palette of synthesized textures, atmospheric pads, evolving rhythms and digital sound sculpting opened a new dimension of creativity. In 2004, I began crafting my own tracks — slowly shaping a personal musical identity through exploration, experimentation, and countless hours of listening, adjusting, and refining.
I explored diverse genres: gentle ambient and meditative downtempo, flowing organic electronica, deep introspective soundscapes, energetic techno, and ethnic fusion rooted in natural tones. Through these explorations I developed a musical style that blends organic intuition with digital precision — warm, atmospheric, emotional, and deeply textural.

In 2010–2011, I studied sound engineering in London. There, I immersed myself in recording, mixing, mastering, acoustics, recording techniques, digital workflows, and studio production. This period shaped my technical foundation and deepened my understanding of how professional sound is constructed — not only as a craft, but as an architecture of frequencies, dynamics, and emotion. It refined my ear, my workflow, and my vision as a producer.

In 2012, I expanded my musical path into a new direction: creating ethnic musical instruments.
Working with wood, carving shapes, tuning resonant cavities, and exploring the natural behavior of sound opened a new universe for me. Building instruments taught me to listen not only with ears, but with hands. It connected me to sound as a physical phenomenon — breath, vibration, the grain of wood, the natural overtones that emerge from organic materials. This experience continues to influence my electronic music today, weaving earthy timbres and natural resonance into digital compositions. The result is a hybrid sound — atmospheric electronic textures infused with subtle organic warmth.

Today, I compose original music, produce electronic tracks, and create meditative soundscapes for a variety of purposes: mindfulness practices, yoga, guided meditations, retreats, film, art projects, games, immersive environments, and personal listening. My work focuses on frequency and vibration. I aim to create sound that supports the listener’s inner journey — whether it is calm, introspection, focus, or release. Most of my music and musical instruments are created in Natural Tuning System.

I compose every track with intention. I pay attention to breath-like pacing, natural sonic flow, harmonic balance, and the emotional narrative hidden inside each progression.
Some compositions are soft and meditative; others are more rhythmic or cinematic; some are built for visual media, while others are meant simply to accompany moments of stillness.

I believe music is a language of subtle states — a way to illuminate internal landscapes that often cannot be expressed in words. Through melody, rhythm, texture, and tone, we can explore silence, memory, imagination, and the deeper layers of self-awareness.

My goal as a composer and sound designer is to create environments through sound — to craft spaces where the listener can breathe, reflect, focus, relax, imagine, or reconnect with their inner world.

Music, for me, is not just a sequence of notes but a landscape — a world that can hold emotion, story, memory, and transformation.

If you’d like to collaborate, commission original music, or explore how sound can elevate your project, feel free to connect. My work embraces clarity and authenticity — always crafted with care, intention, and a deep respect for the listener’s experience.